chord progressions
Jun. 11th, 2007 06:12 pmPossibly one for the music geeks only, this.
My favourite chord progression used to be i-VI-VII-i. You hear it in most mid-period Iron Maiden songs. It's nice and predictable, flowing towards a satisfying resolution. You know exactly what to expect, and where the melody's going to go. Something about it just feels 'right'.
These days, I prefer i-VI-iv. This is mainly because it's ambiguous; is it really i-VI-iv, or is it v-iv-i in a different key? Only one note separates the two keys and it's easy to leave it out of the harmony... or to deliberately play the wrong one to add a bit of tension, as I did at one point in the last track I recorded.
I think that this interest in the more ambiguous, open-ended harmony is hinting at some underlying change in my psyche; an interest in acknowledging there isn't always a single correct way to resolve something, or an acceptance of multiple ways to interpret a situation.
Or maybe it just sounds cooler.
My favourite chord progression used to be i-VI-VII-i. You hear it in most mid-period Iron Maiden songs. It's nice and predictable, flowing towards a satisfying resolution. You know exactly what to expect, and where the melody's going to go. Something about it just feels 'right'.
These days, I prefer i-VI-iv. This is mainly because it's ambiguous; is it really i-VI-iv, or is it v-iv-i in a different key? Only one note separates the two keys and it's easy to leave it out of the harmony... or to deliberately play the wrong one to add a bit of tension, as I did at one point in the last track I recorded.
I think that this interest in the more ambiguous, open-ended harmony is hinting at some underlying change in my psyche; an interest in acknowledging there isn't always a single correct way to resolve something, or an acceptance of multiple ways to interpret a situation.
Or maybe it just sounds cooler.